1、THIS ISMUSIC2021GRIFF|Jordan Rossi ContentsIntroductionsNadine Dorries MP Secretary of State for DCMS4Jamie Njoku-Goodwin UK Music Chief Executive5The Figures8The StoryOverview10Musical Composition12Case Study|Catherine Anne Davies14Recording16Case Study|Metropolis Studios18Live Performance22Case St

2、udy|Festival Republic24Brand&Image26Case Study|TaP Music28The World30The People32The Impact34Music Industry Strategic Recovery Plan40Conclusion44Methodology46References48Acknowledgements50IntroductionsNadine Dorries MPSecretary of State for Digital,Culture,Media and SportMusicians,artists,composers,

3、and all the people who support them have just been through one of the most challenging periods theyve ever faced.So Im very glad to welcome UK Musics landmark This is Music report.It highlights the impact of the pandemic on the music industry-but it also strikes a note of hope for the future and pro

4、poses a path towards recovery.Its hard to overestimate the value of our world-leading music industry.It contributes billions to our economy,fuels tens of thousands of jobs and is a huge source of soft power on the global stage.But music is also incredibly important for our national wellbeing.It comf

5、orts us when we most need it,and is at the beating heart of communities up and down the country.I know how difficult the last year and a half has been-with venues closed,stages dark,and artists prevented from doing what they love.The whole industry has shown great strength,patience and resilience du

6、ring these hard times,pulling together to help the whole country get through the COVID-19 crisis.The Government has been by your side throughout the pandemic.Our 2 billion Culture Recovery Fund has been a vital lifeline,helping music organisations across the UK to survive one of the worst peacetime